Caprixo de Fashion

«No One Knows About Persian Cats is a film from Iran that blurs the line between documentary and drama. Briefly put, the film follows Negar and Ashkan, indie pop musicians trying to put together a band to play danceable pop/rock in an '80s American new wave style. Since Western music is outlawed in Iran, the actors, musicians, and filmmakers put themselves at considerable risk while making the

A masterpiece of Italian blues. «Anima Blues è il capolavoro di Eugenio Finardi, è un canto offerto alla sorgente del Mississippi, un’invocazione che sale ondeggiando come una lingua di fumo sui campi delle terre del sud, è un amore che esplode e travolge, la lunga strada verso casa del cantautore milanese. C’è una voce straordinaria in Anima Blues, una voce che avvolge come le onde dell’

«"Mbube" music, regarded as dating back in Zulu tradition to King Shaka, was originally royal music to be sung to honor the Zulu King by his male supporters. The style—a rich a cappella male choral approach usually sung in Zulu, appeared in the early 20th century as "Ingoni Ebusuku," meaning "night music." Popular with Zulu and Swazi laborers, in the early 1940s one of the Ingoni Ebusuku groups

«Bollywood music has been loved in the West for the way it Cuisinarts different styles together, mixing and matching like crazy in the same song. This extensive collection places a great emphasis on that side of the music, which makes for an easy introduction to the myriad styles that have made up Bollywood over the last 50 years. There’s plenty of music from the’70s (one whole disc is devoted to

«It’s the unlikeliest place to imagine a festival, in the Sahara, not far from the Malian town of Timbuktu. But that’s the home of the Festival in the Desert, which celebrated its third anniversary in 2003. While it attracts international talent, the real focus is on artists who make their homes in the area, often of the nomadic Tuareg people. But there are others who live locally, like the

«The concept lying behind this album is the same one that brought the “Buddha Bar” CD into existence - an album that was recorded by the musicians performing at the Parisian Buddha Bar. Owners of the popular Laila bar in Istanbul decided to do the same with live music their bar featured. Laila Orient is thus a collection of songs, mostly recorded only for this particular album. Among others,