Benny Moré, Rolando La ‘Serie and Tony Camargos have had considerable success in Cuba and the world over in the 50s. Omly Benny Moré is still famous today and considered a Cuban music god. The three musicians were regrouped in this compilation for their highly similar voices and repertoires. Maximilian Bartolomeo Moré (1919-1963), “el barbaro del ritmo”, was born to a modest African family

«Our musical “voyage” begins with the traditions of Cuban music, passing then through Brazil, Argentina and Venezuela, going back to its Hispanic origins. The strong acoustic impact and jazz language our music carries with it, takes us in a direction we could perhaps define as “Acoustic Latin Jazz” or “World Latin Jazz”. A characteristic of Alta Madera’s sound is definitely the absence of

«Omara Portuondo is the grand old lady of Cuban music. While her early recordings made her a star in Cuba, her participation in the 1996 album and video documentary, The Buena Vista Social Club, brought her to international attention. Her solo album, The Buena Vista Social Club Presents Omara Portuondo, released in 2000, reinforced her status as one of Cuba's greatest musical ambassadors.A native

«Take the propulsive backbeat shuffle of Jamaican ska and blend it with soulful Afro-Cuban son, and the result is Ska Cubano.The band is the creation of London promoter Peter Scott, who came up with the brilliant idea of blending two of the Caribbean’s most influential music styles. He brought London ska artist Natty Bo to Santiago de Cuba, where they collaborated with local musicians to create

«Papaíto (b Mario Muñoz Salazar, 5 Dec. '23, Buena Vista, Cuba, 4 June '00, New York City) Afro Cuban singer/ percussionist/ composer with engagingly poignant voice; worked with cha cha chá creator Enrique Jorrín, others; made films in Mexico and joined Sonora Matancera there, continuing as a member into the '90s; left Cuba for good '60. Sessioned on many recordings, among them Mark Weinstein's

«A CD reissue of a mid-'70s repackaging of Mongo Santamaria's first two Fantasy albums, 1958's Yambu and 1959's Mongo, Afro-Roots is superb Latin jazz. Although these were Santamaria's first albums as a leader, the conga player had already worked with Pérez Prado, Tito Puente, and Cal Tjader, giving him absolutely impeccable Latin jazz credentials to go along with his obviously amazing chops.

«Founded by vocalist and maracas player Maria Emilia Garcia, guitarist Pancho Cobas and the group's first director, Francisco Coba La in 1939, Cuarteto Patria achieved international success after guitarist/tres player and lead vocalist Eliades Ochoa assumed leadership in 1978. Under the guidance of Santiago, Chile-born Eliades Ochoa, the group expanded its early bolero and criolla repertoire to

«This is the perfect chill disc to throw in your musical rotation. A mix and match grab bag of musical styles with one common thread; it's in a Latin groove. The artists span the globe which is what one comes to expect from Putumayo. The styles of music run the gamut of Latin exotica but with an edge of electronica that results in world beats with a modern attitude. It is very exciting to hear

«By now anyone even remotely interested in Latin music has heard of (and listened to) the legendary Buena Vista Social Club. Their Grammy award and their well received feature length documentary has catapulted their music from the Hispanic community to mainstream America. BVSC has been described as "not exactly a band but rather a gathering of the nineteen most talented living latin musicians"

«On first thought, one might be hard-pressed to find a common ground between Algerian raï music and Latin jazz. But for the pianist Maurice el Medioni, an Algerian-born Jew who left his home for France decades ago as an exile, and the Cuban-born, New York-based percussionist Roberto Rodriguez, the link connecting North Africa and Cuba is a direct one – by way of Spanish Andalusia. World music

«Carnival, the ecstatic release of carnal desire in the days leading up to Lent, has a long history. With its roots firmly buried in the Dionysian festivities of ancient Greece, the celebration was appropriated by the Romans for their Bacchanalian homage and then adapted by Roman Catholics to fit pre-Ash Wednesday festivities. Celebrated by Catholics and Bacchanalians alike, contemporary carnival

«Rubén González was one of the last of Cuba's great Afro-Cuban piano players. Although he had played and recorded with the band led by Enrique Jorrín, the creator of the cha-cha, for a quarter of a century, he had retired from music by the mid-'80s. Things began to change when González recorded with the Afro-Cuban All Stars in 1996. The album, A Toda Cuba Le Gusta, released the following year,