B'net Houariyat - Poèmes d'Amour des femmes du Sud Marocain (1994)

«B'net Houariyat is formed by five women from the region of Marrakech, singing and dancing to the rhythm of their drums, performing traditional music of the Houara (the region between Taroudant and Tiznit), of the Hammada (plain of the Dra'a), together with Berber dances and urban styles like the Aitci (female seductive appeal) and the Chaabi, popular style that originated Rai music. The image of

Postcards from Italy (44): Alcamo Marina, Sicily

The Feelies - The Good Earth (1986)

«After the various side projects and explorations the band got up to for most of the early '80s, not to mention switching some members around (with bassist Sauter and drummer Demeski now forming the rhythm section), the Feelies made a fine return with The Good Earth. With co-production from noted fan Peter Buck, the group exchanged some of the understated tense frazzle of Crazy Rhythms for a

Tinga Tinga School (Dar Es Salaam, Tanzania)

Haruka, Petrol Station

The Ripple Effect - Hybrids (2005)

«Hybrids is a jazz album in name only – specifically the names of multi instrumentalist John Surman and drummer Jack DeJohnette, who leads this collaborative ensemble. One of the few musicians to have recorded or performed with Ornette Coleman, Thelonious Monk, John Coltrane, and Miles Davis, DeJohnette’s jazz credentials are obvious. But Hybrids tosses his cap into the modern electronica realm

Winter

Zebda - Essence Ordinaire (2001)

«"We who live by rock and rai and accordion/On the periphery of commercial hits" is a line from Zebda's hometown portrait Toulouse and that's a pretty accurate capsule description of where the French band fronted by three second-generation North African immigrants fits among the Euro-mix crew. Rough-and-ready ragamuffin reggae and rapid-fire rapped vocals, Arabic flourishes, touches of French