Huáscar Barradas - Trío Acústico Venezolano (2001)

«“Si hay algo especial en Venezuela es que en cualquier reunión aparece un cuatro o una guitarra, alguna tía con talento musical comienza a cantar, las primas le hacen coro, el amigo del amigo toca las maracas, se improvisa, se cuentan anécdotas, chistes, y se forma un alboroto hasta que “el cuerpo aguante”… De este ambiente festivo y alegre está impregnado el disco Trío Acústico Venezolano.

The Rough Guide to the Music of Thailand (2003)

«Thai music hasn't had much exposure on the world stage, but on the basis of the excellent Rough Guide to the Music of Thailand compilation, it's only a matter of time before it emerges as a global force. The emphasis here is on the lukthung and morlam styles, which originated in northern Thailand, illustrated in both traditional and more modern pop forms, but there are also oddities like the

Le marché de Belleville, Paris

La Tordue - T'es Fou (1997)

«Au cours des années 90, un courant dit néoréaliste a envahi le paysage musical français en lui insufflant au passage une énergie poétique tout à fait revigorante. Parmi les figures de proue de cette nouvelle vague, est apparu un groupe tout en franchise gouailleuse, la Tordue. C'est autour du quartier de Belleville à Paris que se sont rencontrés les deux premiers membres de la Tordue. Benoît

Amman, Jordan

Photo: RMF

Putumayo Presents Arabic Groove (2001)

«If you want to know what's rocking the kasbah these days, Arabic Groove is where to start. From Algeria, Morocco, Egypt an other Arab countries we hear the dance-floor grooves and detect the influence of Western pop, notably funk, hip-hop and electronica. This of course makes sense from the Arabic point of view as those artists now get played alongside Westerners. In 1996 Khaled had a number

The Sound of Kinshasa - Guitar Classics from Zaire (1995)

«Most of the great Afropop styles have grown out of a joining of urban and rural ideas, of indigenous roots and foreign borrowings. The story of Congolese pop music provides a complex and powerful example. By the closing years of the Belgian Congo, the city of Leopoldville (today's Kinshasa) was a place where city boys plucked out highlife songs on box guitars, phonographs and radios played the